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I love La Havas because she plays intricate yet simple guitar parts that have helped me become a better player. Her music spans genres and shows how diverse music is nowadays — she’s a gorgeous mixture of neo-soul, rock, jazz, pop, and soul, wrapped into one. Soundfly’s six-week beginner harmony course, Unlocking the Emotional Power of Chords, will show you how to craft compelling chord progressions in your music. We’ll analyze the chords used in music from across the contemporary landscape, and equip you to use them in your own productions and compositions. You’ll be challenged to write your own mood-setting music by creating tracks for topliners, TV ads, film trailers, and more, and get personalized weekly feedback on your work from an expert mentor. By the end of this course, you’ll be

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Foundation grants for nonprofits

Hopefully Tredici Bacci’s listeners understand the inherent joke underlying a song about the ’70s written by someone who was born in 1991. Of course, I can’t seriously mourn an era that I mostly learned about from watching erotic films and talking to my parents’ friends. That said, most things that I love (in music, art, fashion and the aforementioned erotica) were made in the ’70s, and I wonder if I would have thrived had I been born back then. “In The 1970s” is more of a loving ode to what I admire about that decade, and as a compositional experiment, an attempt to write something that used my favorite “’70s-sounding” signifiers. Berg was obsessed with numerology and symbolism. Lulu is accordingly littered with geometric expressions of human themes as above. The most notorious example of

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