“It’s not only been the normal people that would go there, like the alternative people, but people from the community from around El Local have started to go,” Lalita says. “Even my mom went to get a meal there because we have no way of preparing hot meals.”
Angela Mastrogiacomo is the founder of Muddy Paw PR, where her artists have seen placement on Alternative Press, Spotify, Noisey, Substream, and more, as well as the Director of Community and Events for Music Launch Co. Her free training ‘Reaching a Wider Audience Without Spending A Dime’ helps emerging artists cut through the noise and get in front of fans and industry influencers in just a few steps. She loves baked goods, a good book, and hanging with her dog Sawyer.
Unfortunately, this means they’ve swung to the other extreme: They’ve become very reluctant and skeptical about lending to anyone that falls outside “the norm.” Working with a team that knows the ins and outs of the music industry can change that.
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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
Try as you might, you can’t be a machine that only thinks and cares about music. Sometimes sitting a tour out or taking a few months off of making music is the best thing you can do for your career.
Soundfly partners with leading edge music education sites and services to bring you unique tips, tools, and stories to empower and inspire our community to find their sound.
So much of today’s new technologies tend to offer (at least in marketing speak) out-of-the-box solutions to musicians’ and students’ problems. Softwares and plugins, devices and networks, are all designed to minimize the rough edges around taking the time to learn things the hard way, practice them, and interact with things and people. And while these tools are optional, and do provide new avenues for creative expression and learning, they sometimes also skip over some crucial steps in the lifelong learning process of the artist, particularly those steps that historically have happened in the classroom.
The addition of the F# in the Melodic Minor scale, makes things slightly more complex (if that was even needed at this point!). This time, we would have to work out the names comparing the scales to their most similar mode. For example, there is little point in comparing the fourth mode built on A Melodic Minor scale to an Ionian scale. It is much more similar to a Lydian mode, since it comprises of the note F#. The G# at this point, makes it a C Lydian (Augmented fifth).
In the above video, you can watch me put together a quick trap beat and then create some simple variations on it. Subtle changes in the foundational loop or beat will help your song to feel like it’s moving forward as the song progresses, even though the track might only be built on a couple of repetitive looping fragments, just like so much of hip-hop production is.
Professional songwriters can generate many different sources of income from their songs in the same way an author creates additional income turning a novel into a movie, TV series, or graphic novel. It doesn’t matter whether your song has gathered a million plays or just a handful of listens — you can still put your compositions to work for you to generate more revenue. All it takes is a little creativity and a sense of adventure.
Creating a string arrangement is the most powerful way to make a piece of music soar. Whether adding an epic string part to your latest pop song or composing for a classical quartet, there’s so much you can do with these dynamic instruments.
Well, depending on how comfortable you are, inviting guests into your closet where you may or may not have clothes could be a difficult task. Try to find a spot that is softly furnished and quiet. Bars, for example, are not ideal for interviews. You’ll also ideally need a second microphone if the premise of your podcast is interviews. This complicates things slightly and you may have to delve a little deeper into your pockets. Be aware of your acoustic surroundings; it will save you time and money in the long run.
Where you set up your equipment will separate you from the crowd. This is where my expertise really shines. I’ve been professionally recording and editing voices in some shape or form for over 10 years, so if there’s one thing I’m good at it’s making people sound great on a microphone.