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This more complex view of phase interaction is more applicable to the real-world scenarios we encounter as musicians and producers. You might be struggling to record a drum kit with multiple mics and losing that precious oomph in the process. Your studio monitors could start sounding a bit odd, because each side is interfering destructively with the other while their sound travels through the air. You may find that a certain parallel processing hack or sample replacement makes your sound thinner rather than awesome-er. There are many more harmonics (infinitely many more, in theory) but these first five are the most audible ones, and they’re the only ones you need in order to build yourself a versatile tuning system. (more…)

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